Wednesday, November 21, 2012

Celebrating Adrienne Cooper Z"L

Celebrate the life of Adrienne Cooper, z"l at a big, gala concert in NYC on Dec 22, Kaye Playhouse, Hunter College, 8pm, in benefit to start new foundation to carry on her work. More info at her website.

The Facebook event is here: A Kholem / Dreaming in Yiddish: A Concert in Tribute to Adrienne Cooper

 Sadly, I have to be playing elsewhere that night, but I'll be there in spirit. If you're in town and interested in getting a nice glimpse into the NYC klezmer community, and a sense of what Adrienne was about, this is a not-to-be missed chance to do just that. It's sure to be an inspirational evening!

Amazing musicians in musical tribute to a friend, colleague, and mentor. Don't miss this!

Monday, November 19, 2012

Israeli Music Therapist Helps Kids Deal With Rocket Attacks

Simply heartbreaking! An amazing way of addressing this, but devastating that it is needed.

The Music of Israel's Enemies

The Chief Orthodox Rabbi of Nebraska writes about a Hamas music video.

"שיגעון ה- "גנגנם סטייל

The title says it all. W/video links.

Thursday, November 15, 2012

Free Random House Book Giveaway Reminder....

You still have a few days to win a feee copy of 'Light and Shade' - Jimmy Page's "Oral Autobiography". Get those entries in!

Arrested Development

UOJ reports that the former director of the Toronto Pirchei Choir was arrested on child sex-abuse charges. Given the history of abuse allegations, and other negative outcomes, perhaps it's time to end the boys choir thing....

Beware of Paypal!

Just had a frustrating experience with eBay/Paypal. I'm sharing my experience so you can be aware of the situation and avoid the same issue...

Firstly, I should say that I have been an eBay user for many, many years, and have been very successful using eBay and Paypal. However, recent changes have made me uneasy about the site's security and their policies. (For those who don't know; eBay owns PayPal.) Until about three years ago, I was very satisfied with their service.

Since then, a number of incidents haschanged my impression of eBay and PayPal.

Some examples....

1) I auctioned off a large keyboard. In the auction, I stated I would only ship to the continental US. A lot of people were "watching" the auction, when an Australian bought it using "Buy It Now."

After canceling the bid, I was able to relist the auction, but when you "realist" an auction, there is no way to let the people who had been watching the auction know that the item is available again. You just have to hope they see it.

2) I listed an iPhone. There were a lot of watchers and bidders. At the last moment, the auction was "sniped" by a bidder with 0 feedback from Vietnam who bid a ridiculous price. It was obvious that the buyer wouldn't pay, yet eBay technically required me to wait a week before filing an unpaid bidder report. Again, I lost the watchers/bidders... and time.

I should note that in addition to losing the watchers/bidders, the auction restart affects the timing of your sale/cash flow. For example, I listed the keyboard so that the auction would end a few days before I left town. When the auction was cancelled, I was unable to relist the board for a few weeks, due to travel.

3) eBay/PayPal has made it very easy for buyers to make fake claims/freeze your funds. When I sold the iPhone, the buyer filed an "item not received" claim a month later. Since I had the tracking/delivery confirmation info, I was able to get it dismissed, but I had to spend an hour on the phone with them to do so. During that conversation, the rep told me that this buyer had pulled this quite often. Yet, eBay/PayPal was still allowing him to do it.

These are a few examples.... which leads me to my current situation.

Recently, I linked my eBay & PayPal accounts at eBay's prompting, allegedly for more efficient payment. Yesterday, I won an auction for an iPad with wireless and cell connectivity. My intention is to use it for music notation and synth playing at gigs. This was my first time using PayPal/eBay since linking the accounts. Usually, I am able to choose the funding source, whether my bank account or credit card, before completing the transaction. Generally, I choose credit card for significant purchases, to have an additional layer of buyer protection. This time, I wasn't given the choice, and the payment immediately went through using my bank account as the source. It shouldn't be a big deal, except for this.

A few minutes after the payment went through, I got a message from the seller telling me that the iPad did NOT have cell connectivity, only wifi, and offering a refund if this mattered to me. I accepted the refund, which should have been the end of the transaction. Except, that's not how PayPal treats situations like this. PayPal withdrew the money from my account, and will refund it in 3-5 business days. The refund will go to my PayPal account, and then it will be another 3-5 business days before it is returned to my bank account.

The PayPal rep I spoke to says that PayPal fronts the money to the seller "as a service to the buyer, so that the item will be shipped sooner". However, when the buyer refunds the money, Paypal will wait the 3-5 business days is allegedly takes for the bank to transfer the $ to PayPal, before crediting my PayPal account. Then, if I want the $ back in my bank account, it will take ANOTHER 3-5 days to make that transfer happen. I don't know, the funds disappeared from my bank account immediately. It seems to me that PayPal wants to sit on the $ for a bit, earning some interest on the funds.

This is simply unacceptable to me. PayPal has opted to provide poor customer service here. Even if their description of the timing is accurate (and I don't believe it is), they could still front me the refund just as easily as they fronted that very same $ to the seller. This poorly chosen policy will affect my use of PayPal and eBay. Caveat emptor!

Tuesday, November 13, 2012

Friday, November 09, 2012

Thursday, November 08, 2012

Review/Giveaway: "Light and Shade" - Jimmy Page's "Oral Autobiography

Random House has just published "Light and Shade: Conversations with Jimmy Page" by Brad Tolinski, and they were kind enough to send me a review copy as well as to give away a free copy to a reader. (See below for details on how you can win the free copy).

The book is an "aural autobiography" of Led Zeppelin guitarist Jimmy Page, as told to Guitar World editor Brad Tolinski over the course of multiple conversations. The book is especially notable because none of the band members has ever penned an autobiography, or cooperated with a biographer.

Tolinsky's easy interviewing style reflects a deep familarity with Page's work, and there are excellent questions and follow-ups throughout.

In addition to the author's conversations with Page, he has also included context-adding interviews with Jeff Beck, Chris Dreja (Yardbirds), John Paul Jones, Led Zep publicist Danny Goldberg, Paul Rogers (Bad Company, The Firm), Jack White, and fashion designer John Varvatos.

Topics discussed in the book include: the influence of the Blues on Page's music, his time as a session guitarist, his time with the Yardbirds, a whole lot of detail about the Led Zep recordings, Page's production concepts, the making of the Led Zep movie "The Song Remains The Same", drummer John Bonham's death, Page's controversial collaboration with Whitesnake's David Coverdale, and more!

"Light and Shade" also contains a neat chapter wherein guitarist Jimmy Brown -- who transcribed every note of Page's guitar on all of Led Zeppelin's studio releases -- highlight ten songs that he feels demonstrate the uniqueness of Page's playing.

I found the book to be a very pleasant and informative read about Jimmy Page and about Led Zep. I especially found the parts about Page and the band's creative process intriguing.

This book is essential reading for Led Zeppelin fans, and even non-fans will find Page's reflections and the insights into his creative process quite fascinating.

You can read an excerpt of the book here.

Amazon has the book here:

 

As I mentioned above, Random House is willing to give a free copy of the book to one lucky reader. Here's how you can win it. Simply send in your written description of your best "rock guitar" moment. My email address can be found in the sidebar. It can be a description of a show you attended or a recording you love. "Jewish" rock guitar (since this is a "Jewish music" blog) or secular rock guitar moments are both acceptable. It doesn't need to be long. One or two paragraphs is fine. I'll choose the piece I find most evocative, and Random House will send the winner a copy of the book. You've got two weeks! May the best writer win! G'luck!

Wednesday, November 07, 2012

11/7/12 Link Dump

Over at Emes Ve-emunah, Harry posts about Amy Weinhouse Z"L's ex boyfriend in Who is Alex Clare? And Why Do I care?

At Cross-Currents, Rabbi Yitzchak Adlerstein has some thoughts on "The Rabbi’s Daughter" video I mentioned recently.

Following up on another story we'd posted... here's a Mindy Meyer update: "'Diva' Comes Up a Bit Short."

Finally, a bit late... but for posterity... here's Michelle Citrin's pro-Obama music video.

Sunday, October 28, 2012

Naomi Less is Mad...

...about the way women are being treated at the Kotel and elsewhere in Israel.

Wednesday, October 24, 2012

Time For Another Asefa

Only in this case, it's not a ban, but a band. Asefa explores Sephardi piyutim as well as performs original compositions, blending Morrocan and jazz musical traditions with many other world music influences.

Check 'em out!

Bat HaRav

I just watched the film "The Rabbi's Daughter". It's a moving film about the daughter's of three well-known da'ati leumi rabbis who have chosen different paths than their families. In particular, what stands out to me is the connection (or possible connection) between an artistic nature and conflict with religion, or at least Orthodoxy... It's also moving to see the respect that secular Israeli's have for the rabbanim in the Da'ati Le'umi community. Food for thought...

Sunday, September 23, 2012

Can't Believe I Missed This One When It Was Released!

This is a bizarre clip! Chassidic singer Dov Shurin pays tribute to John Lennon. (Female backup singers!)



Hat tip, A.

Saturday, September 15, 2012

Call Your Zeyde - Shana Tova

E. emails a link to Temple Judea's Rosh Hashana video...

Teaching Tolerance

Here's an interesting trend... promoting tolerance for other Jew not of your immediate community... yesh tikvah... despite the leadership in those communities...

 Lipa Schmeltzer:


Yaakov Shwekey:

Friday, September 14, 2012

K'ayal Ta'arog - Halev V'hama'ayan

A beautiful arrangement of this Lubavitch melody w/ guest vocalist Yonatan Razel.

Thursday, September 13, 2012

Shiviti

Abe Finkelstein emails about a new single he composed/collaborated with Shauli on. YOu can hear it here.

It's cool to see more complex text-based lyrics. The arrangement/production is tasteful. Nice work!

Wednesday, September 12, 2012

Amanda Palmer - Schnorrer

Amanda Palmer needs horn and string players to play her shows for free beer and hugs. There are a lot of annoyed musicians commenting on her scheme. She raised enough on Kickstarter to pay them. No class!

Matisyahu Show Meh!

Rabbi in the Middle of America has a nice writeup of an AKA Pella event. He also reports on reviews of Matisyahu's recent shows. Matches the clips I've seen, and other reviews I've read about Matisyahu's recent performances.

Tuesday, September 11, 2012

Aaron Razel in English!

It's Terrible Tune Tuesday at "A Nigun A Day": "I Set My Place Here"

Monday, September 10, 2012

Carlebach Circus Selichos?

Here's some video footage of the Carlebach Shul's Selichos this past Motzoei Shabbos.

 A couple of thoughts/comments.

1) It's Carlebach, not Carelbach. You'd think people in the music business would get it right.

2) Shlomo didn't do Selichos this way. (See here: http://youtu.be/6jamYFJkkfA)

3) This is clearly a huge fundraiser for the Carlebach Shul. I hope they took in a lot of $$$. The community at large should support the Carlebach Shul's work year-round. Since they don't, a few big events are needed to raise funds.

4) It's obvious, both from watching the video and speaking to people who have been, that there are a very large number of people who do not connect with traditional Selichos. My question is, is it better to create Selichos entertainment for them, as this is, or would it be better if they were to find something else to do Selichos night?

5) Looking at the video (and knowing some of the people there), one can see that there are some who are sincerely attempting to connect using this medium. Equally clearly, one can see that there are many more people simply there to party. Is that necessarily a bad thing? To the extent that the party atmosphere does not distract (or even enhances) those sincere seekers who connect this way, I'd say it might even be a good thing. On the plus side, it largely keeps some of them --the ones who wouldn't be comfortable just skipping the whole ritual -- out of other shuls, where they would no doubt be talking or otherwise disturbing anyway.

6) Personally, if one wants to hear inspirational musical Selichos and/or pre-Selichos, there are numerous options available in the NY area that I'd recommend over this event. YMMV.

Saturday, September 01, 2012

Sunday, August 26, 2012

Jump, Baby!

Check it! Jump Babylon! Great line: “Lectured on justice, hey, we invented justice, putzes...”

Thursday, August 16, 2012

Mindy Meyer 4 Evr!

If you haven't seen the Meyer campaign website, check it out here before watching the above video.

Saturday, August 11, 2012

Beck's New Album Concept Is Awesome

Check this! He's releasing the album in sheet music form only.

Friday, August 10, 2012

New Band

Ok, so I'm starting a new band to provide sub-contracting for musicians who have a family/friend situation i.e. divorce, where one of the powers that be vetoes the use of their band for a family simcha. For a nominal fee, we'll staff the job with your regular musicians under our name, so everyone will be happy. Introducing Klafte Orchestra: Because sometimes the mekhuteniste is a ?+#@!

Tuesday, August 07, 2012

Razel Releases 2nd Single: Nigun Belz

Yonatan Razel has a new album coming soon! Here's his cover of Nigun Belz.

Gibson Guitar Update

In response to government extortion, Gibson Guitar Settles Claim Over Imported Ebony. An outrageous example of government unfairly targeting business. This case should not have been brought.

Friday, August 03, 2012

Carlebach Meets Kuti

Zion 80 w/guests Cyro Baptista and Yemen Blues. Here is  Pischu Li.

Tuesday, July 31, 2012

Peep Mail

Naftali writes:
I keep forgetting to send you this peep.  This one happens all the time with minor variations. The family member that is singing at the chupa.  He comes over to rehearse during the Shmorg/Kabalas Panim (even though I am there 2 hours before the wedding with plenty of time).  Takes a few minutes to choose the key for each song.  We then practice the 2 bar intro I will give him to prompt him on his chosen key.  At the chupa all is going according to plan - or so it seems!  I play the intro...and then horror of horrors!...he starts singing in a totally different key!

I'm pretty sure we met this peep in the past, but it's always good to check in with our old friends.

Office/Sideman Relationships Questions

Interested in hearing thoughts on the following scenarios...

1) An office hires a musician to lead a gig... then a day or two beforehand, when they send out the gig information, the band size has grown and another additional musician is now the leader.

2) An office books a gig for 6 hours, say 6-12. The gig runs 5 hours. Do they need to pay the musicians for six hours?

3) An office gives a musician a gig in a specific time/venue, then switches venues  for the dates (putting the musician on another gig) from the original one half hour away (or less)  to one an hour + away.

4) A musician is requested on a gig. The office books that musician for the gig without mentioning that they were specifically requested.

In all of these cases, what (if anything) is the office's obligation? How would you deal with these?

Here's how I would deal with them.

1) I usually lead my own gigs, but in the cases where I give someone a sub-lead, I pay them the promised amount, even if staffing changes.

2) I pay the musicians for the amount of time booked. I tell them in advance, and if the gig is under time, we all benefit.

3) I'd never do this without talking to the musicians involved and getting their agreement.

4) I'd tell them they were requested.

How would you address these situations?

No Hope For The Informers!

Go here. Click on "The Music Box" in the top right hand corner. Then select track 2 - "V'lamalshinim".  Trust me on this one!

Shlock Rock On Broadway

Lenny Solomon has launched a Kickstarter campaign for Daniel in Babylon - A New Musical!.

Monday, July 30, 2012

Whose The Thief?

This report raises some interesting questions...

WWTCIS?

What would the Chazon Ish say? Incidentally, it is highly unlikely that the Chazon Ish composed the song.

More on that here.

Itzhak Perlman and Cantor Yitzchak Meir Helfgot

Here's a preview of the forthcoming recording.

WSJ Discovers The Wheel

The title says it all: At Some Happy Events, 'Hava Nagila' Isn't Invited

Sadly, they missed an opportunity to explain the "Freyg Nisht" scale.

"Beat It"? That's The Best You Could Do, Adam?

The Jewish Week reports about Rabbi Greg Wall leaving Sixth Street Synagogue in "East Village’s Musician Rabbi To ‘Beat’ It."

Oy, Adam! He's a jazz/Jewish musician, not a pop star. Even "Hit The Road" would be more on target.

The loss of the space and community Greg built around Jewish arts is disappointing. Hopefully, he'll find a better-suited venue to continue inspiring both Jewish literacy and Jewish arts.

Post-Haste Videos

New Zorn Book of Angels CD out.

This one features Shanir Ezra Blumenkranz on gimbri. Nice! Check it!



 While we're videoing... Here's a music video, "Yonatan Hakatan" by "Cham Umechamem".

 

Friday, July 27, 2012

Happy Holiday to my Yekke Friends!

I know you guys look forward to this all year...

Eli Tzion sung by Rona Keinon (w/ a melodica solo too.)

Tuesday, July 24, 2012

We've Got Ruach, How About You?

From the mailbag...

Yehoshua writes:
I am looking to buy/download old Ruach albums (Ira Silver/Shmoo Klaver) and I ended up on your blog through google. Do you know of anywhere that they are available?
Thanks in advance.
Anyone know if these are available?

Rock the Casbah!

A clever solution to Mosque speakers aimed at a Jewish neighborhood.

Monday, July 23, 2012

Digression on the History of Jews and Black Music

Here's a track from "trombonik" Jacob Garchik's new project. Whole lotta multi-tracked horns. All played by Jacob. Sweet! Here it is. Digression on the History of Jews and Black Music

Thursday, July 12, 2012

Gear Review: Boss FV-500L Volume/Expression Pedal

I've been using a Roland EV5 expression pedal for the past few years. It's worked fine with my Roland boards, and when I switched to Kurzweil, it worked ok with them too.

Recently, the wire on my pedal (which is hard-wired to the pedal) started to fray, and instead of rewiring the pedal, I decided to look at other options. After reading that one of the techs who sets up Kurzweil setups for Broadway specs the Boss FV-500L pedal for all his setups, and has never had one fail, I decided to check it out. I haven't spent too much time with it yet, but so far, I love it!

 This pedal is a huge improvement over the Roland. Here's what I like about it.

1) The throw is great, with a wider sweep than the Roland.
2) The resistance is adjustable.
3) The feel is great.
4) Solid build. Its metal instead of plastic.
5) Can be used as an audio volume pedal as well as an expression pedal.
6) The larger size and rubber grip means my foot doesn't slip off.
7) It's heavier, so the pedal doesn't slide around. It stays in one place.
8) It uses a separate cable, instead of a built-in wire, so you can easily swap out cables if one starts to go. (The Roland cable is permanently wired to the pedal, so if there's an issue, you can't just swap it out.)

The feature set includes stereo in/outs, an expression pedal out, a tuner out (to send your guitar signal to an external tuner), and a min/max adjustable volume pot.

The only issue I notice with it, is that when the pedal reaches the end of the throw, the sound of the pedal hitting the rubber stop is louder than I wish it would be. This is not an issue for live playing at stage volumes, so much as for practicing at moderate volume, where it can be distracting. It seems like it should be possible to put a very thin pad in to solve this problem without impeding the full range of the pedal. (I tested this quickly with a folded paper towel, and the noise was almost entirely gone.)  I'll see what kind of more permanent fix I can devise.

 If you're looking for an expression pedal for your keyboard, (or a volume pedal for your guitar) you might want to give this one a look.

 Amazon has it here:
 

Tuesday, July 10, 2012

What Is Freygish?

Musicologists, klezmer musicians, and J-music bloggers will try to fool you into thinking it's a unique scale and not just a mode of harmonic minor. That's just a story.

The real truth is that the term was popularized by a now-forgotton American clarinet player who once approached legendary klezmer clarinetist Naftule Brandwein to ask about the scale. "Freyg Nisht", the notoriously secretive Brandwein replied. Not understanding Yiddish, the hapless American took that as the name and shared his corrupted pronunciation of it, "Freygish" with all who asked. And that's why American club date musicians call it "Freygish. #DoIReallyHaveToLabelThisOne?

Update:
Apparently, I do have to label this one. It's fiction, folks. follow the link for more info about Freygish.

Monday, July 09, 2012

Music Video Monday

So the Grogger's lead singer is moving west...

And while we're sharing music videos... here's an oldie, but goodie... SoCalled and Theo Bikel rock Belz!

Sunday, July 08, 2012

From The Mailbag...

Gil writes:
Speaking of "Peeps"...How about the singer who checks his e-mail while performing? I recently saw it repeatedly at a wedding.

Joi writes:

I’m composing some Jewish ‘folk’ music with a Klezmer flavor. What’s a good piano rhythm pattern for the left hand to get a sense of the dance-like qualities of Klezmer? – My tendency is to fall into a latin rhythm, which I don’t want. Thanks for your ideas.
I'd suggest listening to a lot of klezmer, and copping those rhythms. There are also some published piano arrangements like the Kammen folios and even the New York Times' "Great Songs of the Yiddish Theater" that would be good references to check out for sample piano accompaniments. However, there is no shortcut for listening to the music, and checking out how it was/is played by the pros.

Thursday, July 05, 2012

I Hope He Was Paid Well For This...

Some lyrics shouldn't be re-used.

No Hora!

Gary Sernovitz does not want to dance the hora at his wedding. Oh, but he will. Bwahahaha!

Wednesday, July 04, 2012

Not To "Veyn"

Poor-quality video of Guns N' Roses performing Hatikvah and "Don't Cry" in Tel Aviv. Updated: Corrected G'N'R song title. Thanks, Leon!

Sunday, July 01, 2012

Still More Peeps...

"The Loser"

This peep is an interesting one. Someone will come over to the bandstand with a pair of car keys. A few minutes later, the "Loser" is there to claim them. A bit later, a cell phone is turned in to the bandstand. Guess who it beings to? That's right! The "Loser" is soon back to claim it too. A little later, he's back asking if anyone turned in a wallet...

"At Least He Goes To Minyan"

This peep breaks his teeth on the bracha he's honored with at Sheva Brachos. When he gets to the end, he confidently finishes it off "... Yotzer Hame'oros."

"The Repeater"

This scintillating character is invited to speak. Invariably he (for some reason, this offender is always male) will say something like "the next part of my speech was said twice already, but since no one listens to speeches, I can say it again." Then, he'll repeat a Torah thought that has already been shared by a previous speaker or two. For extra credit, he may point this out again after he speaks, as in "maybe you'll hear that thought another six times tonight, if you listen to the rest of the speeches."


Friday, June 29, 2012

Review: Hercules KS400B Keyboard Stand

Following up on my review of the Quik-Lok Monolith keyboard stand....

The next keyboard stand on my "demo list", the Hercules KS400B, arrived today.

Amazon has it here:




What attracted me to this stand was the neatly compact way it folds, as well as the simple, easy to adjust features, enabling it to be raised/lowered and widened/narrowed quickly. This is probably the most compact keyboard stand I've seen, when folded. The adjustable latches, grips, etc. are super-easy to use. As with the Monolith, no one local seems to stock this one, so I had to order it on spec.

Despite it's specs on paper, this one is a disappointment, as when its raised to standing height, the keyboard rocks and sways while being played. This seems to be inherent in the design, and so I can't recommend this stand for musicians who play standing up. The "give" is simply unacceptable. Since I do often play standing, this one is being sent back ASAP. I had anticipated taking it on a few gigs this coming week, but it is simply unusable for playing while standing, so there's no point.

The stand does work for playing while seated, but all things considered, I'd say the the Monolith is a better choice for my purposes.

Amazon has the Monolith here.

 

Monday, June 25, 2012

Review: Quik-Lok Monolith Keyboard Stand

This season, I've been exploring keyboard stand options. For many years, I used an Ultimate Support Apex stand. Ultimate Support used to have great customer service, but in recent years, my experience has been less positive. One of the support arms on my Apex broke at a gig a while back, and when Ultimate quoted me $60 to replace it, I decided to try some other stands, to see if they might better serve then the Apex, which I had some other issues with (see below).

My most recent experiment has been with the Quik-lok Monolith single-tier stand, which I've used for most of my gigs this season. Amazon has the stand here.

 

Before I share my thoughts on this stand, here, in no particular order, are the features I'd like to see in a keyboard stand.

1) Reliability
2) Portability - needs to fold into an easily transportable shape.
3) Design - looks good/presents well on stage.
4) Able to easily adjust height for playing while sitting or standing. (up to 36" high)
5) Does not obstruct my view of the audience
6) Cable management - allows for cables to be made unobtrusive to the audience
7) Wide enough to support 76 and 88 key keyboards.
8) Stable - no rocking, swaying, or bouncing.
9) Accessories (if any are available) that make sense/work as advertised.
10) Small footprint
11) Room for proper positioning of foot pedals
12) Not too heavy
13) Leave room for the player's legs while seated, so they won't be pressed up against a crossbar.
14) A carrying case.

It is surprising to me that no one seems to make a stand that fits all of these criteria. (It's also surprising that most local stores do not carry any of the more interesting stand options, like the Monolith, necessitating ordering on spec. Since these stands are heavy, it's not generally worth returning them, as it can cost $40 or so in shipping.) Most stores carry the Apex, and some variations of X-stands, all of which are less then ideal, due to all of the weight being focused onto the retaining pin, which can easily collapse.

To illustrate, my old Apex stand failed in the following ways.

1) It was less stable than I would have liked. Especially when playing outdoors on grass etc.
2)The mic boom attachment picked up keyboard noise and amplified it.
3) The keyboard would bounce/shake when played hard, or when an 88 key board was used.
4) The feet made it impossible to place pedals in ideal position.
5) With time, I started to feel like it was a barrier between me and the audience. My current preference is for a more "open" feeling setup.

After using the Quik-lok Monolith on quite a few gigs (it's been a busy season), here are my thoughts.

1) This stand is simply the most stable keyboard stand I've played, and I've tried quite a few. Unless I actively try to get some swaying going while playing, the keyboard stays solidly in place on the stand. And even if I try to make it sway, the give is minimal and totally playable.

2) It is relatively easy to adjust the height, making it possible to say, play a cocktail hour and wedding ceremony while seated and then raise the stand to play for dancing.

3) It looks good visually. However, to me it looks better (more visually balanced design-wise)  in seated position that when raised for standing. In either position, it feels open.

4) It folds easily/simply for moving on offstage, but does not fold into a convenient form for carting around. If I needed a house stand at a venue, and be able to store it nearby and move it on and offstage as needed, I'd highly recommend the Monolith. However, for moving in/out of cars, loading on carts, etc. the Monolith is less than ideal. It folds into an awkward shape that does not balance well on a cart, it is wider than most doors, and the legs don't lock closed, so they tend to swing open while you are lift in/carrying the stand.

5) There is no cable management system with the stand, and its open design means that all of the cables coming out of the back of your board are visible and disorganized. It's possible to snake them along your keyboard and the legs, but that takes some doing and a lot of jury-rigging. On the Apex, this was a non-issue, because the column hid cables easily.

6) There is plenty of leg room, for playing while seated and for positioning pedals properly. No worries about banging your knee or shin here.

7) There are no accessories available, apart from an optional second tier for another keyboard.

8) The stand is solid, and heavy, but not too heavy to lift/carry.

Boottom line, I wouldn't recommend the Monolith for a gigging musician who needs to move the stand between venues, frequently in/out of cars, etc. as I did this season. It makes for occasionally awkward load-ins. However, if you're looking for a solid keyboard stand that is very stable and looks good for home or studio use, or for a permanent installation, the Quik-lok Monolith is well worth a look.

I kind of wish they'd shaped it a bit differently, so that it'd sit on a cart for easy transport and fit through doorways. (And so that it could be put in a case.) Also, that they'd put a lock on the legs so that they could be locked closed for travel. Perhaps Quik-lok will make an updated tweaked version. If so, I'd likely give it another shot. For now, my Monolith will be used for the nome studio and the very occasional gig, where the load-in and visual needs of the gig make it sensible to use.

In the meantime, I'm going to order another stand none of the local dealers carry.... probably the Hercules KS400B which I have no experience with and which I haven't been able to find locally.

Amazon has that one here:




To sum up:

The Monolith is a great looking choice for either a home studio setup, or a stage setting where the stand needs to be moved on/off stage often. It's easy to adjust and VERY stable, with plenty of room for proper placement of pedals. I would highly recommend it for those uses.

However, it is not portable for constant gigging  because it folds to an odd shape that does not easily stack on my Rack N Roller cart in a way that will fit through that average doorway. Also, it doesn't lock closed when folded, which is not a big issue when moving it a short distance, but is again a pain when loading in/out of the typical club-date venues.

Sunday, June 24, 2012

2012 Peeps

It's been a very busy season.. Here are some peeps for y'all!

"The Queer Mashgiach"
We've met this guy a bunch at gigs and mentioned him before.
This convo was too good to pass up...
QM: "I see you know all the pretty Jewish songs. Do you know standards too? Starts singing "Summertime".
DM: [starts comping]
QM: "Hi! That's a lovely color on you. That dress is fabulous! Is it cranberry? It looks cranberry to me."
QM: "Summertime, and the living is easy..."
We can't make this stuff up!

"Balbelili Guy"
This peep won't just do the slow song he's been asked to sing, because "I'm not just the slow song guy". So, after plowing through a slow song, he sings a medley of the choruses of Balbeli Oto and Yalili, switching back and forth between the two as though they were the A and B of one song.

"The Sheet Music Helper"
This peep comes over during the dance set, and decides to helpfully pick up the discarded piece of sheet music on the bandstand floor and hand it to us. (It was the fanfare, which we've already played.) Never mind the fact that we're reading another chart, and have not indicated in any way that we want to be handed this music. When we say that we do not need it and that it's ok for him to just leave it on the floor, he simply can't accept this, continuing to attempt to get our attention, and show us where he's putting it down on a chair near the bandstand.

"The Attendance Monitor"
This peep monitors the bandstand, noting and commenting if any musician is not on the bandstand while the band is playing. This self-appointed peep wants to know "where the 2nd guitar player went", for instance. (Actual question). We're tempted to tell him exactly which stall in the bathroom he's in.

"The Mind-Changer"
This peep is special. They meet with you before the event, discuss repertoire, requests, etc. and all is cool. Then, at the event, they change everything on you. When the "mind-changer" is the mother (in-law) and these last minute changes conflict with the bride's plans, look for some sparks to fly.


Thursday, June 21, 2012

More Lipa @ The Forward

Ezra Glinter writes "My Lipa Schmeltzer Problem, and Ours". That's more like it.

Analyzing Lipa's Video

Over at the Forward, Josh Nathan-Kazis posts "Lipa Schmeltzer's Uncanny Valley." I don't agree with much of what he writes, but any article that includes the following sentence deserves a mention here. "If Avraham Fried is Elmer Fudd, vaguely nodding towards mainstream pop, Schmeltzer’s “Hang Up The Phone” is the Japanese robot, down at the valley’s spookiest depths."

From the mailbag...

R' David ben Yosef Goldin writes about Marc Shapiro on Kol Isha:
Mr. Shapiro: "So now I ask my fair-minded readers: Is Artscroll’s statement that Metzudat Tziyon translates שרים ושרות as “singers” accurate? I think the answer is clearly “no”. Metzudat Tziyon translates the words in question as “male singers and female singers,” and yet—don’t tell me you are surprised—in Artscroll this morphs into “singers”. Why would Artscroll fudge the translation? The answer is obvious. They don’t want people to think that Solomon would have listened to women singing."

Your lack of erudition and bias is outstanding. The English word "singers" certainly implies "male and female singers". It is not exclusively male. It is however plural, which is significant to refute your groundless conclusion. There is no objection in halacha to listening to a group of women singing, especially if their voices are combined with those of men singing. This is based on the Talmudic principle of tre kali mi mishtame'ah. Thus, there is absolutely no reason for Artscroll (or anyone else) to not want "people to think that Solomon would have listened to women singing". Perhaps Artscroll's citation of the M"T is incomplete, but it is not inaccurate or misleading --- except perhaps to he/she who wishes to be mislead.

Methinks the rabbi needs to work on his reading comprehension. He simply has no point.

As well, his misrepresentation of the acceptance of the principal of "trei kali" (which he misquotes; that third word should be "lo") is pure apologetics and not reflective of actual practice in "Chareidi Artscroll-ville", where women are not heard singing in mixed company, with the possible exception of Shabbos zemiros among some (perceived) lenient families.

Wednesday, June 13, 2012

New Miami Boys Choir Siyum Hashas Video

This is just painful. It starts with a poor translation of the Gemara and goes downhill from there.

Friday, June 08, 2012

Visualize Whirled Peas

Thrown Peas posts "Good News from the Yiddish World", a nice roundup of Yiddish happenings, including music, with video examples.

Long Time Passing

A seventeen year-old composer shares his thoughts on the state of Jewish music. Cute 'graf:
At this point, it is almost over. The greats are nearing their ends, new artists with mediocre voices and a lot of money come and go every other week, the actual talent can’t afford to produce because no one buys albums anymore: people just rip, burn, download and steal; the artists lose piles of money. Wedding introductions and interludes are all non-Jewish anyway, and not to clean songs. What will be with wedding music, you ask? We have enough songs with Freilach and Hora beats to last us for a week-long wedding. Anyway, with what weddings have become, (concerts with food), no one dances anyway! Everyone just stands around the bandstand watching and videoing, until the kalla’s father realizes that his hiring that famous singer for the extra couple of thousand didn’t enhance his simcha, it ruined it!...

Thursday, June 07, 2012

Pop Goes The Chassid!

When Judaism Becomes A Drug.

From the mailbag...

Joshua writes:
Love your blog. Since you sometimes discuss non-Jewish origins of Jewish songs, could I ask you a question? I recall that one of Avraham Fried's ballads from a semi-recent album was a direct copy of a contemporary (French?) pop song. Do you know what I'm referring to?
I'm not aware of Avraham Fried lifting a French song. Perhaps you're thinking of MBD. He rewrote the English version of "Daddy Dear", which was originally a French song called L'Homme Et L'Enfant

L'Homme Et L'Enfant

Little Child (Daddy Dear)

MBD version

Falling Off The (Band)Wagon

Over at the 5 Towns Jewish Times, Rabbi Yair Hoffman writes An Open Letter to Matisyahu. Meh.

Nice Move, Madonna!

Madonna invites her Israeli warm-up act to open concert in Istanbul.

Playing Gay Weddings

Over at Fink or Swim... A Suggestion for Orthodox Jewish Political Activists Regarding Same Sex Marriage.

Check this:
But in the end, wouldn’t it be better if religious vendors were able to set aside their personal beliefs for the sake of civility and friendship? I mean, there is no prohibition that I am aware of in orthodox Judaism that would prevent a photographer from working a gay wedding. There is no problem for a tailor to hem a gown or cuff some pants for a gay wedding either. So I guess what I am saying is that while I respect religious beliefs very much, I don’t believe that one’s religious beliefs are sufficient cause to discriminate. To be clear, I am not talking about a member of the clergy performing a ceremony that does not even exist in his or her religion. I am referring to vendors who are uncomfortable working a gay ceremony. There is a difference. I don’t think anyone would expect a member of the clergy be required to perform a nonexistent ceremony. But there is no direct parallel to religious vendors.

Wednesday, June 06, 2012