Wednesday, June 02, 2010

From the mailbag...

Michael S. writes:
I just saw this "Torah is not hefker" brochure in a shul and searched a web to check some of his assumptions. Your post was very helpful.
 
However I can't say I personally disagree with an idea of some sensorship of music and a hashgacha.
 
After all there was a time when food was checked by ingredients. Now we have heksherim. Different heksherim have different levels.
 
So why not the same in music. Even if some music is approved by MO heksher, that's also good. I am sure there is plenty out there that can not meet even triangle K standard.
 
Last time I was at a wedding, the music was terribly noisy. If this was hard for me to bear, what do you think older people assume? And some of it did sound kind of strong, I would prefer something like dveikus.
 
Look, if the music is too mild, the people who like strong music can still listen and "bare" it.
 
But if it is too strong, those who can't bare it get very sick.
 
Please let me know what you think.
 
By the way, I liked your referrence to an article against racism. Thank you again.
I disagree. It is patently obvious that those involved with the idea of a music hashgacha have neither the musical nor halachik acumen to be legislating on these matters. So, on practical grounds alone, this is a very bad idea. I'm strongly opposed on idealogical grounds as well.

The issue of loud volume at simchas is a separate one. I anticipate having more about "volume police" shortly.

Wolf Krakowski forwards a link to a concert video.

Moshe forwards a link to Hava Nagilah, What Is It?

Shalom comments on the too loud one-man-band:
Hey, at least he had an equalizer and knew how it worked.

A couple years ago, I bought a cheap digital SPL meter at Radio Shack, and I started taking it to chassenes in my camera bag. If the music painfully loud even though earplugs, I haul it out and check; if it consistently registers over 96 dB, I'll go over and say something. Not that anyone listens. If they can even hear.

Shortly thereafter, I started, when going to a simcha, to make a stop at a drug store on the way and buy a bulk pack (50 pair) of ear plugs. I don't usually have too many of them left by the end of the evening...
I actually thought about supplying free dispenser of pre-packaged earplugs in the lobby of various simcha venues. The packages would have my band info and the tag line "If we were playing tonight, you wouldn't need these!" As I mention above, I anticipate having more on this topic soon.

Finally, Shmuel forwards a link to Zevy Zions' latest solo CD, "Dizzy Accordion."

Tuesday, June 01, 2010

Top Ten Ways To Tell That the Caterer At That High-End Event Is Chassidish

A recent experience at a simcha I played has prompted the following. I'll start it off.

Top Ten Ways To Tell That the Caterer At That High-End Event Is Chassidish

1) The hot stations at the buffet table near the band contain Carciofi alla giudia, grilled duck wraps, and potato kugel.

2) The dark sauce in a bowl at the sushi station --next to the wasabi and ginger-- is teriyaki, not soy.

3) The Perrier at the bar is actually Mayim Chayim.

Send in yours!

6/1/10 Link Dump

Best mouse ever: Boss DS-1 Pedal Mouse.

This is interesting. Recorded in 1942, here's Mr. Hitler by Leadbelly.

G: "I Learn Alone..."

Tablet Magazine has a nice write-up on Mike Cohen's collaboration with the Jews of Putti, Uganda.

Amazon has that recording here:



100% of the proceeds goes directly to the village of Putti.

Oy. Loca indeed.

Rabos Machshavos with Michoel Schnitzler , Lipa & Shloime Taussig.

"Formal Punk", a review of the Shondes latest.

Jeremiah Lockwood plays "Mama Bin Ich Farlieb."

I found בין דין לדין when they linked Blog in Dm in the post "Cognitive Dissonance."

They have a nice post on "Trash-Talking Poets, From the Golden Age To the Ghetto" which includes links to some worthwhile YouTube performances.

Hey look! It's the Shaya and Perry Ringtone!

The election is over, and Joe Lazar lost. But this Joe Lazar Music Video is still noteworthy.

I think someone should start a tribute band to cover these YouTube songs. Tentative set list...

Shaya and Perry
Ikh Vi Zein A Rebbe
Joe Lazaar Music video
Lipa's La Vida Loca (see link above).
and more...

Holiday Fun at Guitar Center

I rarely shop at Guitar Center these days. I used to stop in to the local store periodically a few years back, and spent a decent amount of money there. The direction the chain has gone in the past few years has made it unappealing to shop there. The prices are not competitive, generally speaking, and the service is not good. I've read on a bunch of forums about how GC's management decisions are the proximate cause of this, as they result in virtually no long-term employees at these stores, making it difficult to develop a personal relationship with a sales rep.

In my experience, the reps that they do have are quite ill-informed about the product lines GC carries, and are unaware of significant product lines that their store doesn't carry. For instance, the local keyboard rep had never heard of Nord. It's hard to have an intelligent gear discussion with someone who doesn't even know what's on the market.

GC does have a price match policy, but given that they provide no tech support and no returns on "special order" items, it seems silly to ask them to price match an online retailer, especially one that offers tech support.

As well, I've gone to a few of their holiday "list" sales over the years, but found that even being the first one in the door, didn't mean that you'd get any deals. Several times, the items I wanted off the list (which is handed to you as you enter) were not available/allegedly sold out, despite the fact that I was first into the store. Incompetence or dishonesty? Either way, not appealing.

That said, sometimes, a last minute gear requirement means I have to pick something up there. So, Monday morning, I headed over to buy a pair of speaker poles and a direct box. One of my poles had acted up the day before, and I needed a quick solution. Before heading over, I checked the price for a pair online. A quick search on the GC website showed a pair of Ultimate Support TS 90B speaker stands for $159. At my GC, they had these in stock, so I told the salesman that I'd like a pair. The pair rang up as $200. When I told the salesman that they were $159 on the GC website, he and his manager made skeptical noises, assuring me that $100 per pole was a good "sale" price, and that they'd never seen them on sale for less. The salesman then went into their in-store system and showed me how a search didn't turn up this price. The experience reminded me of this Best Buy story.

I told the clerk to cancel the stands and that I'd order them online. He made some some sarcastic comments about how he'd love to know where I'm ordering them from, etc. So, I took the direct box I'd already paid for and left. When I got home, I went back to the GC website, where I easily found the same $159 price for the pair. I was tempted to order them online, but the online store is backordered and I needed them ASAP. So, I printed out the page and went back in to the local GC where the rep matched their own price. Neither he nor his manager (who needed to approve the price match) apologized for essentially accusing me of lying about the price earlier. They also didn't apologize for the inconvenience of making two trips to buy the poles. In short, a customer service fail! I'm not likely to be back.

This is the second customer service fail I've experienced with GC over Memorial Day.

Two years ago, I had an issue with them as well.

That Memorial Day, I was looking for an SKB case for an 88 key keyboard. The GC website announced a sale, so I checked the SKB case pricing out. The page listed the case at $300 (it's usually closer to $500) with the annotation "new lower price" prominently featured. In contrast, the sale pages all had flags that said "sale" on them. I called around a few local stores to find one that had the size I needed in stock. One did. Since I was heading out to play two gigs that day and two the next and couldn't easily make it to the store over the weekend, I asked if the price was good that weekend only. If it was, I'd have asked a friend to pick one up for me. The salesperson assured me that they'd honor that price afterwards too, as the website says "new lower price" not "sale." Given the assurance that they'd honor that price, I went into that GC on Wednesday, at which time I was informed that they would not honor the quote, because the website no longer had them listed at $300. That was a change that must have happened that day, as the website had showed the $300 price on Tuesday. Despite finding the $300 price on Google, and the verbal assurance I'd be given, the store refused to honor the salesman's commitment. I left without buying the case.

Instead, I turned to craigslist, buying a mint Roland digital piano in mint SKB flight case for less then GC wanted just for the case. The piano had been purchased by an elderly gentleman who used the case to take it home from the store. The case had been used exactly twice and was in perfect condition. I sold the Roland on eBay and wound up with a brand new SKB case plus cash in my pocket.

Prediction. If Guitar Center doesn't drastically change their business model soon, specifically with regard to pricing and customer service. they will soon be out of business.

Monday, May 24, 2010

Klezmer Requests

Yesterday's fun requests...

Kale Bazetsn, Nign (Lorin Sklamberg), Doina Naftule, Der Alter Bulgar, Fisherlid/Klezmatics Khosidl, Firn Di Mekhutonim, Vu Nemt Men Parnosse, Der Nikolaever Bulgar, and 7:40. Plus we got to play a sweet version of Erev Shel Shoshanim sung by an Irish guest. Fun!

Thursday, May 20, 2010

The Nigun Project #3 is Up

Jeremiah Lockwood's latest for the nigun project is up at the Forward.

Wednesday, May 12, 2010

How To Write A Hit Song!

The Axis of Awesome leaks Eli Gerstner's secret...

Sunday, May 09, 2010

What's The Matter with That One-Man-Band?

A few months back, I had the "pleasure" of attending a simcha where the entertainment was provided by a one-man-band and singer. (For my Yiddish readers, that's a von-men-bend un zinger"). The musician is one of the long-time "names" in that end of the business. I was actually interested to see how he approached playing a large yeshivish wedding. That is, I was interested until he started playing. Natch, the music was painfully loud. In addition to the volume issue, there was a larger issue. That is, the music just didn't sound good. Specifically, it sounded as though the music was EQed to be as shrill and annoying as possible. And then it occurred to me that he had EQed the music to compensate for high frequency hearing loss he's likely suffered from years of playing waaay to loud at parties. The music probably sounded great to him, because his hearing has been so damaged by years of high volume playing.

Hatin' on the "Get" song!

George doesn't like "Give Her A Get! An Ode To Jewish Divorce." He writes:
I think this song and other things like it make light of a serious and very private situation. What about Jewish men who are victims of women refusing to accept the get? There are many Jewish men who are being slandered because it is PC to attack men but not PC to bring up that women use the get as leverage. Maybe you can put up a video criticizing women too. JewishDivorce.com
Sure, George. Just send us the video of your "#$@^ Won't Accept A Get" song, and we'll be glad to post it for you.

Tuesday, April 27, 2010

Springtime Brings Out The Peeps

"Super Spreadsheet Client"
This peep has every last detail of their wedding nailed down. They have made absolutely sure that not even one second of the event goes unprogrammed. We know this because the emails they've sent have been thorough. A list of song requests for each part of the affair... a 2 gig file of audio of each song requested... a spreadsheet that maps out the length of each audio clip... and a schedule that assumes the band will take *exactly* the same amount of time as the recording to play each tune. Whew!

"Where'd The Art Go"
This peep is the black sheep of their chareidi family. While playing a family celebration in their home, we notice that all of the art hanging in the living room is gone. There are just bare hooks. Quite odd, given the luxurious decor. On closer look, we notice a new inset electric outlet placed just behind where the main painting behind the sofa would hang. And then it hits us. Its not only art that's been hidden, it's the flat screen TV that is the centerpiece of the room, that's been removed too. What they don't know won't hurt 'em! In the meantime, the relatives can hang their black hats on the vacant hooks.

"Dad Doesn't Get It"
This peep *needs* his son to give a long and complicated lomdus-filled high-level dvar Torah at his Bar Mitzvah. The fact that this child is not cut out for this either intellectually or socially seems not to matter. Twenty painful minutes later, the speech is over, but the bar Mitzvah boy will likely live with the feeling of failure forever. Note to dads. The speech isn't about demonstrating your intellectual acumen. If you've got a kid who is up to it, great! If not, don't force it. Chanoch lena'ar al pi darko!

"The Greatest Fan Ever"
This peep loves our band. Here's a paraphrase: "Wow! You guys are awesome! Is that a bass? Wow! I love bass! And guitar? Yes! To guitarist: "You're awesome! To band:I see there's a keyboard player and a drummer. Perfect! Clarinet too? Excellent. You guys are awesome!" All this before we've played a single note. The best part was that it was totally sincere too. To the greatest fan ever... you are awesome!

Thursday, April 22, 2010

4/22/10 Link Dump

If you have not yet checked out the Yiddish Song of the Week blog, head on over! Last week's song was “Dos Shabes Lid” performed by Avrum Yitshkhok Moskovitz. Check it out!

This week's song is “Bay deym ruv in shtib” performed by Lifshe Schaechter-Widman.

Over at Shulmusic.org, there's an interesting survey of the Halachik view of Chazzanim using tuning forks on Shabbos. Its in Hebrew.

heeb'n'vegan posts an interview with Matisyahu about going vegan.

Over at the Forward, a new audio clip from artist-in-residence Jeremiah Lockwood's The Nigun Project: At the Table.

At Tablet Magazine, Alexander Gelfand writes about Joel Rubin's recent concert in memory of Dave Tarras.

Jewish Music Report posts "Alternative Jewish Music – Acoustic Jazz".

Finally, here's the best of "Jazz Club"! Nice!

Monday, March 29, 2010

A Talmudic Echad Mi Yodea

Life in Israel posts "An Alternative Echad Mee Yodeia video.

Chag Kasher v'sameach! A Zissen Pesach! Happy Passover!

Sunday, March 28, 2010

3/29/10 Link Dump

Lipa Shmeltzer get approval to open a shul in Airmont, NY. Speaking of.... Lipa's also released a Pesach hagada!

Rokhl writes "Yiddish American Music: Camp or For Real?"

The Big City writes about Abraham Inc.

Finally, Dovid Kerner writes:
If you're planning a link dump, I'd be honored to be included ...

Hot off the presses – ‘Matza’laya’ - a new song/YouTube for Pesach!

Here’s the link Matza'laya

As you'll see/hear, the Kerner kids did the artwork, I did the pick'in.

I'd like to think that Hank would have approved.

Chag Sameach!

From the mailbag...

Catching up on older emails...

Rabbi Gil Student writes:
This book might interest you. I plan on writing about it next week.

Copyright in Jewish Law by R. Nachum Menashe Weisfish: Copyright in Jewish Law by Rabbi Nachum Menashe Weisfish | feldheim.com
That post is here: Hirhurim - Musings: Copyright in Jewish Law

Rabbi Josh Waxman emails a link to his post "Copying music, yashrus, and the new information economy." He makes more compelling arguments on some side issues, compared to my erstwhile debater, whom he gives way more credit than is due, but seems to miss the main point. (I believe I've written about some of these side issues in the past. No time to find links now.) As a side point, in his last post, my erstwhile opponent demonstrates that he can't read a teshuva properly. He wrote:
As I noted before, there are these who indeed don't allow copying. One instance is R' Moshe, (here, although he doesn't give a rationale).
I urge people to read the teshuva he links (which I'd cited earlier, incidentally) wherein Rav Moshe explicitly gives reasons for why it is prohibited. This fellow can't be trusted to accurately represent written responsa, and we're supposed to accept his word on alleged oral responsa from dead people? Nice.

Naftali writes:
While discussing the story of Purim over Purim, with the lessons learned, I could not help but think about the discussions you have been having with Yosef Greenberg.

The Jews who attended the Seudah of Achashveirosh had plenty of rationalizations of why there was nothing wrong with what they were doing. No where in the Torah does it say not to partake in any type of the entertainment or food that was being offered at that party. However, we know now that although according to the letter of the law there is nowhere that forbids it; the spirit of the law - the famous fifth shulchan orech - is something we as Jews must adhere to, and they should have known not to be a part of it.

Although the Torah might not specifically forbid copying music, one must use his common sense and understand that this is certainly not ethically right. The Torah is Diracheha darchei noam, and certainly would not want that a Yid should put his heart, soul, and money into a project so that someone (another yid!?) should copy it for free. Copying music = Achashveirosh's Seuda. Go have a party.
Abe writes:
It seems Naftali is “guilty” of the same! The Im Eshkocheich which he refers to as the Lev Tahor version is originally R’ Mottel Twersky’s.
True. That said, there's a difference between not knowing the authorship of a well-known Carlebach melody and associating a Twersky song with the group that made it famous.

Ephraim writes:
Still searching for the hebrew lyrics and translation to the song "קר במסקובה" Kar Bmoskova - "It's Cold In Moscow" as sung by Dudu Fisher on the album Elokai Neshama.
J. forwards a link to a Leonard Cohen Ohad! video clip.‬‎

Daniel (and several others) forwarded a link to "Introducing for the very first time.... Lady GaGa?"

E. forwards a link to a video for Yeshiva University Maccabeats - One Day.

Monday, March 22, 2010

The Nigun Project

The first installment of Jeremiah Lockwood's "Nigun Project" is up at the Forward. It's a "remake" of a Breslov melody.

Monday, March 08, 2010

3/8/10 Link Dump - UPDATED

Via Teruah - Jewish Music, here is the Yiddish Song of the Week website.
This initiative is part of a larger effort by the AJFRP to revitalize traditional Yiddish folksinging performance and research on the subject. To that end, this website will emphasize field recordings of traditional Yiddish folksingers from around the world contributed by folklorists, ethnomusicologists, musicians, singers and collectors.

Each Yiddish song will be presented with Yiddish words and translation, along with commentary from the contributor. Since the website is a blog, we hope that each song contribution will elicit comments from others on the song itself, or on the singing style of the singer. Perhaps others will contribute a variant of the song from their recordings, etc.
The following could be interesting. (It could also just be marketing for specific Jewish artists.)
Lishmoa is an innovative new educational curriculum using Jewish music to teach text study, values & ethics, Hebrew, and social justice within a Judaic framework. Lishmoa seeks to transform Jewish education through the power and spirit of Jewish music while promoting the purveyors of Jewish music from around the world.

Lishmoa presents a synergistic approach to Jewish education utilizing music, videos and the internet– conveying the traditions and history within Jewish music blended with the future of technology and innovation.
UPDATE:
Lishmoa's Will Samuels writes:
Thank you very much for including Lishmoa in today's "Link Dump." Just to clarify- our goal is to include a wide variety of established and upcoming Jewish music practitioners within the curriculum. We hope to be able to expose folks to the vast array of talent that is out there within the many varieties of Jewish music. Through the Jewish music companies (such as oysongs, Shemspeed, and Jdub) and blogs (such as yours and Teruah), we have been able to discover some great new talent, and we look forward to incorporating their work into the curriculum.
[/Update]

Punk Rock prejuidice?

Hirhurim comments on the demise of the Life Of Rubin blog.

Another outgrowth of the Lipa ban...

Now he's published a Hagadah!

in this wedding clip, the groom walks down the aisle to the theme from Sesame Street.

This is aggravating!
My sister-in-law, a very fine Bais Yaakov girl, from Lakewood, who I am very proud to be affiliated with, is involved in a youth tznius organization. She not involved in terms of ideology necessarily, but does a lot of work for them. In any case, she recruited me to sing on CD they were sending out in a mass-mailing. (My brother wanted to hear the cd, but he can’t listen to any of the other girls singing, so having me, his sister, accompany her was the perfect solution).

I had a great time recording. It was my first time ever and I enjoyed the experience. Me Geit Veiyter.

I was by my parents for Shabbos and I don’t recall how it came up, but my mother ending up slipping to me, that the tznius organization wasn’t going to be using any of the tracks that I sang on. They loved my voice, it’s beautiful, don’t get them wrong. However, in comparison to my sister-in-laws voice (which is quite nice) mine is much more trained, and since the purpose of the organization is to promote tznius, they didn’t think it was a good idea to have a voice like mine on their cd.
Read the whole thing!

Here's Forest Hills State of Mind with Billy Eichner and Rachel Dratch. It has an explicit content warning.

BD"E Rabbi Moshe Goldman Z"L

Rabbi Moshe Goldman, well-known for his original Chssidic compositions has died.

Sunday, March 07, 2010

Jewish Music from Music from Putti, Uganda

Mike Cohen writes:
As many of you know, I traveled to Uganda last year to do a recording with the Jewish village of Putti. They are an amazing village that are struggling with the problems that plague many people in poor countries throughout the world- poverty, health and basic survival. Being Orthodox Jews adds a whole other component to their struggle. For more information, I urge you to read more at The Committee To Save Ugandan Jewry - The Abayudaya

This has been a tough year in the world. Yesterday [last Wed. ed.] in Uganda there were torrential rains and landslides. Fortunately for Putti, no one was hurt. unfortunately, according to their Rabbi, Enosh keki Mainah, there was severe damage to the village. Crops were destroyed, houses were ruined and thousands of bricks that had been made for the construction of a new synogogue were destroyed. This has been a devastating blow to a village that has been struggling to begin with.

An easy way to help is to purchase the CD we recorded. All proceeds go directly to the village. You can purchase it at Music From Putti | When I Wake Up | CD Baby or by going to Itunes and purchasing "When I Wake Up , Music from Putti" there. Once again all proceeds go to Putti. Please pass this on to anyone you think may be able to help.
I'll have a review of this disc in a forthcoming roundup.