The interesting thing is that some guy in Kansas, Paul Elwood, who was a banjo player and a modern classical composer, said he’d like to write a banjo concerto for me with a percussion ensemble base on “Avondale” So, innocently, I said, “sure”. The next year, around ’84, he came up to me and he had actually done it. He handed me all this crazy music. I ended up doing this three movement piece with the Wichita Percussion Ensemble in front of 500 people, and it’s the most nervous I’ve ever been. It was the first time I ever wore a tuxedo. The whole piece was completely atonal. It was called, “The Void Beneath the Coffee Table”. It’s a great piece of music. I made a mistake right at the beginning of it, but no one could tell because it was atonal.Via the other blog in Dm.
Friday, January 02, 2004
What Wrong Note?
Here's an interview with banjoist Tony Trishka. I heard him play once and he is quite good. He describes a concert he once played: