Some Links for Y'all

Jello Biafra cancels Israel gig, but will go to Israel, and may reschedule. He attacks boycotters. Check this:

"I can't back anyone whose real goal or fantasy is a country ethnically cleansed of Jews or anyone else, where people who think for themselves or talk to the wrong person are automatically a sellout."

Read the whole thing.

Teruah posts "The Wondering Jew Talks Jewish Music." Jack's on a roll these days. check out some of his other recent posts while you're there!

JDub Records interviews the self-proclaimed Gangsta Rabbi. I remember seeing reviews of his cassettes in the Musician's Exchange mag they used to give out in local music stores in NY years ago.

7/2 link dump

Haven't done one 'o these in a while...

"A nigun a day" says "No joke. This song was composed, lyricized, recorded, and sold!" Look for a sequel coming soon! "Me and My Eidim's Five!

Over @ HuffPo, Josh Fleet posts "Words Of Wonder: How Jewish Poems Become Songs Of Praise."

Some yeshiva students rock Jerualem of Gold.

Oy, Mayn Libe Basarabye!"

Deleon releases a "Soca Hora Hora Medley."‬‏

Over at Sh'ma "Rethinking Music Making: A Teshuvah for the Conservative Movement."

Over at the musician's union website, frum wedding band offices gone bad.

Sibelius released "Scorch for iPad."

The Forward had a bit on "Daniel Kahn and the Relevance of Yiddish Protest Songs" and a piece on and Benjy Fox-Rosen's. latest. There are audio clips. Go listen!

This is Yiddish on " Rocking Out — In Yiddish."

Finally, Menachem Herman posts "Not Another Brick In The Wall".

Say What?

"Bugs Meany"
A Chanel-wearing older woman approaches the piano player at a nice soiree at a 2 Million dollar apartment in NYC to talk about how wedding bands ALWAYS play too loud. Totally not a concern with a piano/violin duo, one would think. After finishing her rant, she heads over to the buffet for some veggies. Returning with a plate of carrot sticks, she confides: "when the music is too loud, I just put these in my ears. Tissues don't help, but these are spongy and block the sound." It was tempting to play loud just to cause her to do that.

"The Goth Rebbetzin"
This older peep shows up dressed like a rebbetzin in prim black suit/white blouse combo, sporting a snood. Oh, and black lipstick. Mamesh tznius!

"Suicide Girlfriend"
If you invite your eccentric non-Jewish childhood friend --yes, the one with a handlebar moustache, who looks like a circus ringmaster -- to be your best man, keep in mind that he might bring his Suicide Girl model girlfriend as his date. She will wear a strapless/backless/sleeveless ball gown, which will show off her full body tattoos (featuring flaming skulls & naked women) covering her entire right shoulder/arm/back. And, she will be in all of the photos. Just an FYI.

Do you Ya'alili?

Do you Ya'alili? Hat tip, Leibel.

Seriously, what's the deal with wedding bands posting videos of themselves attempting to play the song? If your lead singer(s) have to keep leaning over/picking up papers to read the words, it might not be the best image to post all over the web. You do want to look like you know the material you play, right?

Simcha and Gorfinkel!

Gay Weddings

Check 1,2! Is this thing on?...

Some interesting changes are possibly afoot in New York. There is the possibility that the Senate will pass a same sex marriage bill. A bill was already passed by the Assembly, and they are one vote short in the Senate, so if one Republican can be induced to vote for it, the bill will be come law.

(This is just a question of timing anyway. It is inevitable that a same-sex marriage bill will be passed in NY sometime soon.)

Here's an article that discusses what Republicans are negotiating with regard to the bill.

Check this part:

Ball, one of the critical undecided Republicans, said he was looking at the same-sex marriage bill from a "very pragmatic perspective."

"I understand that there's going to be certain areas where they're not going to be able to have religious protections because you open up a whole new can of worms," he said.

One example: a proposal by a Washington and Lee University professor that would create exemptions for individuals who don't want to provide marriage-related goods or services because of their religious beliefs.

Professor Robin Wilson believes, for example, that a baker should be able to reject a couple's request for a wedding cake if his religion prevents him from serving a same-sex -- or an interfaith, or even interracial -- couple. He would only be forced to bake the cake if his refusal created unnecessary hardship for the couple, because, Wilson said, "in a straight up contest [...] marriage equality trumps religious liberty." Such a proposal would likely be a non-starter in New York state, particularly for individuals, as opposed to religiously-affiliated non-profits. "You can't institutionalize discrimination within the bill, nor would I ever want to," Ball said. Yet the proposal is an example of the issues that lawmakers may have to grapple with should they decide to broaden religious exemptions.

Depending on the final bill passed (whether this bill or a few years down the road) there may well be implications for how "frum" wedding bands deal with this issue.

Currently, I have seen offices take the following approaches to booking gay/lesbian weddings.

1) Turn the job down for religious reasons.
2) Book lesbian weddings and send out an all female band. (In Halacha, lesbian relations are only prohibited Rabbinically, as opposed to male homosexual relations whichy are Biblically prohibited.)
3) Book the wedding, but under a different band name.
4) Book the gig, and claim the client surprised the band a week or two out with the fact that it was a gay wedding. (This actually happened. The claim, that is. Not that I believe it.)
5) Refer the job to a different band (and earn a referral fee).
6) Accept the job.

Depending on the final legislation, some of these options may no longer be legal.

It is possible that this might open up the field of options for gay and lesbian couples looking for Simcha/Chassidic music at their weddings, which would be very meaningful to some homosexuals from the frum community.

New Skver Mitzvah Tants Melody - UPDATED

Here.

The silence from communal leaders in and out of Skver speaks volumes. For shame!

UPDATE: Tzig has some relevant comments here.

UPDATE II: Remix time!

Chag Sameach!

From the mailbag...

Six13 forward a link to their video "P-A-S-S-O-V-E-R." Their description: "It's our "Kosher L'pesach" take on two big hits by Usher and Ke$ha"

Dovid Kerner forwards a link to Matza'laya. I think I've posted this one before.

BDE - Micky Lane Z"L - UPDATED

Shalom emails to inform that Mickey Lane died recently. Baruch dayan emes! There's an obit here. His brother Zal has commented on the blog in the past. Condolences to the family.

UPDATE: 4/12

I will add any reader comments to this post.

Zevy Zions writes:

We all grew up with Mickey’s bass lines on all of the early Neginah albums. He was a great musician and he will surely be missed.

Sy Kushner writes:

I was saddened to read of Mickey Lane's passing. Mickey was truly unique, one of a kind. Though I had not been it touch with Mickey for many years, I recall our conversations about music and musical gear, both about which we were passionate. We both laughed at our inability to get rid of our obsolete gear with the result that both our pads looked like a Sam Ash warehouse. He performed with me during the Mark 3 days. He was surely a handful on the bandstand and beyond. May G-d give him peace and rest his soul.

Yehuda Mond writes:

Mickey Lane hasn’t played on a JM album since the late seventies (as far as I know), so here is some background for those who’ve never heard of the guy. Any Jewish music listener who has listened to the Rabbis’ Sons, D’veykus, Kol Salonika, Neginah Orchestra records, and The Messengers (among many other artists from the ‘60s and ‘70s) has heard Mickey’s bass line. Back when contemporary Jewish music was in its infancy, and before the fretted and fretless bass guitars became more standard, the bass fiddle (a.k.a. contrabass) was used, which was one contributing factor for the Rabbis’ Sons “folksy” sound.

My condolences to the Lane family – Mickey has earned an honorable spot in the JM Hall of Fame.

Parenthetically, a shout-out to Sy Kushner: We’re still singin’ Romemu. Keep squeezing the accordion!

UPDATE 4/17:

Shalom writes:

YouTube - MICKEY LEE LANE - "HEY SAH-LO-NEY"

YouTube - Mickey Lee Lane- "Shaggy Dog"

This is a side of ML that we never got to hear; I remember him only as a bassist and engineer, not a guitarist, but it sounds like he could rock out with the best of them.

An earlier one: hYouTube - Mickey & Shonnie Lane - "Daddy's Little Baby"This one is credited to Mickey and Shonnie Lane; did he have a sister?

There's some other stuff of his on YT if you dig around. Someone put up a discography at the Goner Records Mobile Message Boardbut that's just the non-JM stuff. Might be interesting to start going through some old records and see what else there is with his name on it.

Commentary Discovers 613

It is a great time for Jewish music, but I don't know that I'd choose this to illustrate that.

Ironic Orthodoxy

Oh dear!

To The Tune of....

Over at On The Main-line, Fred posts an interesting piece - "The original Shlock Rock: R. Yisrael Najara's 16th century religious Hebrew poetry set to Middle Eastern rock music.

Bigger Than Bieber

Leftover Cholent has da deets!

I'm Incensed!

From Shotei Hanevuah singer Ro'i Levy's Tehilla" (Glory) project, which is dedicated to prayers from the prayer book - "Ketoret." Groovy.

Concert Controversy - UPDATED

Yesterday, a promo video for an upcoming concert to benefit Tzivos Hashem was posted online. The event featured Avraham Fried, Lipa Schmeltzer, a boys choir, and a segment called Jewish Kids Got Talent.

Apparently, some in the community found either the notion or the actual footage of the black choreographer and hip-hop dancers to be unacceptable, and controversy erupted.

A little while ago, The Cool Jew interviewed the event producer, who defended the decision to include those performers, and said the show would continue as planned. A short while later, the Lubavitch youth organization "Tzivos Hashem" contacted TheCoolJew.com to state "this issue has been corrected. These performers will no longer be part of the show and will not have anything further to do with it."

UPDATE 3/27
I've done some checking around, and have been unable to find anyone else commenting on this aside from the Cool Jew's posts. There doesn't appear to be any controversy over this on any of the popular Chabad/Lubavitch websites. It looks to me like a one man crusade by the Cool Jew against the black choreographers. That changes the story materially, so I though y'all should know. CJ did write another post today, "Rabbi Heller Blasts Tzivos Hashem Concert" about the topic, but without audio, I'd read that as this rabbi is opposed to concerts in general, not specifically addressing this one and the question of non-Jewish dancers etc. In other words, the only person who seems to have had a problem here is the blogger himself. That's a very different story. It speaks to his racism alone. That's a relief to hear.

PS, as that post quoted Lipa, the dancers did appear at today's show.

UPDATE 3/28

The Cool Jew posted a rant, Shame on You Tzivos Hashem, today. I'm counting this as confirmation of my previous update. He's trying to gin up opposition, but, contrary to his reporting, this does not appear to have been generated controversy beforehand.

Maccabeat-down II

The authors respond to criticism of their Jewish Week article with "Missing the Point: It’s about women (and men) and Orthodoxy, not the Maccabeats."

Meh. A weak response to defend a weak article.

Dear Mr. Waters,

In the Forward, Israeli musician Koby Oz writes a Letter to Roger Waters on Israel and BDS.

Maccabeat-down!

In the Jewish Week... "Where are the Women in the Maccabeats Video?"

Most of the commentors thus far disagree.

From the mailbag...

Ben writes:

I thought you'd enjoy this new music video for Purim. It features 100 Israelis from all different backgrounds dancing in the desert.

It's called Raise Your Mask - a parody of Pink's Raise Your Glass.

Happy Adar!

E. sends a link to the Maccabeats "The Purim Song."

He also forwards a link to this VIN exclusive.

Jew Man Group writes:

Hi there!

Big fan of your site. We’re a new “Kosher comedy” venture that just released our first single – it’s “Bar’chu!”, a remix of “Forget You” by Cee-Lo, and we’re hoping you’ll find the video worthy of posting. It’s going viral as we speak. J

Please check it out and let us know what you think!

Psachya writes about Mikis Theodorakis:

The sad thing (for me) about the Mikis Theodorakis debacle is that he,at one time, was rather popular in many Jewish homes.

Those of us who grew up listening to Art Raymond's "Morning Simcha" radio program were very familiar with some of Theodorakis' music. Art didn't play it himself, but for years his program on WEVD ("The Station That Speaks Your Language") was immediately followed by a Greek language program. And, every morning, the first sounds heard after Art signed off was a selection from Theodorakis' score for the movie "Z". As a result, Theodorakis got a bit of a following in the Jewish music-listening community. My grandfather A"H had an LP of the "Z" soundtrack, and I've seen it in many other LP collections beside Shlomo Carlebach, Jo Amar, Ruach Revival, and other early-'70's Jewish music icons.

So it turns out that the guy was an anti-Semitic jerk all along. It just makes me sad. This is music I grew up with.

Shalom writes:

You wrote: "In case you had any doubt... "

No, I never had any doubt. Ever since I read, years ago, that he composed a so-called "Palestinian national anthem", long before the PLO had morphed into the PA, I kind of got the idea.

Shame, because the soundtrack to "Z" has got some great music on it; now I feel uncomfortable listening to it.

You think this is gonna stop Jewish musicians playing his music, though? I'm not altogether sure they even should. I remember the controversy a couple years ago regarding the move to rename Corbin Place, which was named after a notorious anti-semite; I think the biggest "shtoch" you can give them is to have Jews living peacefully on "their" street, or enjoying "their" music at a Jewish function.

(For other self-proclaimed anti-semites, check out author Roald Dahl. Personally I prefer to say "Jew-haters", because that was the original term before the PC folk got a hold of it, and because some of the worst Jew-haters are themselves Semitic.)

Hinei ma tov...

Shalom also fowards some more Al Hanisim clips:

First of all, how'd you know it was me?

Second, I've uploaded yet another Al Hanisim, this time really the original (it came out before the composer's own version).
YouTube - Really The Original Al Hanisim (Izhar Cohen, 1974)

(Someone else has uploaded a live performance at YouTube - אודי דוידי- על הניסים. Good stuff.)

Also, I've put up the original version of Tanchum Portnoy's Eitz Chaim, so the folks who sing it wrong can learn the right way.
YouTube - עץ חײם (The Original "Eitz Chaim" (Tanchumim, 1975 - composed by Tanchum Portnoy

A valiant attempt, but there is no chance that'll help.

Bob writes:

I think many Shlomo Carlebach tunes would go really well with a Caribbean-style steel band. Has this been done? I'd pay for a CD like this.

Yehudah Mond writes:

Tribute to Moshe Yess A"H:
Although it has been two weeks since the passing of Moshe Yess A"H, he deserves honorable mention for the major influence he's had on JM. While some might argue that he has gone off the deep end during the last few years, his musical style and personality is inimitable. For those old enough to remember there was Megama, and even the younger generation knows "My Zaide", with many a budding guitar player picking out the chords to that song (can't miss that CMaj7). His voice added a whole lot of feeling to Journeys 1 through 3 (e.g. The Ninth Man, No Place Like Home, Ride the Train, The Rebbe of Lublin, Pesach Blues and more), The Amazing Torah Bike, Miami Experience 1, and of course the immortal Marvelous Middos Machine...
Like Dr. Doomshtein, whom Yess played to perfection on MMM, Moshe Yess was also a ba'al t'shuvah who became involved with Jewish music while in Yeshivas D'var Yerushalayim. The bold, daring characteristic of his unique bass voice, and his personality, which shone through every recording, will be sorely missed.

Shmuel writes:

With all the brouhaha surrounding the passing of Debbie Friedman, it seems that the untimely passing of Moshe Yess, one of the seminal figures in modern Jewish music has gone unnoticed. Having worked with Moshe and Megama on several occasions back in the day, I can truly say that he was perhaps the finest singer/songwriter to cross over from the secular world. The man had real chops and he knew how to craft a pop song. His approach to Jewish music was original and totally out of the box. Lyrically, he had the soul of a poet. The effect that his song “My Zayde” had as far as lighting up Jewish souls across the world is simply incalculable. I still get requests for it almost every time I play out. (I frequently play for older crowds). Simply astounding. On top of that he was a really, really nice guy – just wanted to sit and jam.